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Lack of coffee in the theatre and of course make sure you understand French. This was a last minute visit so paid full price but guess would have got savings if palnned in advance. Saw a modern version of Swan Lake; different to say the least! Don't be surprised if it is not what you expected.

The architecture and decor are marvelous. My suggestion here is if you are planning on traveling to Paris. Do something non touristy and see a French Singer or Group. You can see who theatre casino de paris performing and purchase tickets in advance by going through FNAC.

Have seen two concerts here including Carla Bruni on this trip. The Casino de Paris is a great venue to see a show. The choice of available snacks is hilarious. Sweet popcorn, candy bars and champagne Very good venue with no "bad" seats.

The Tchaikovsky was mixed with hip-hop, and nary a toe shoe in sight. This was very modern as the corps de ballet of swams were all street-walkers. If it's still playing while you're in Paris - it's definitely worth going theatre casino de paris. The tickets were only 37 euro theatre casino de paris, well worth the price and the experience. They constantly have concerts theatre casino de paris shows, so check their schedule at fnacspectacles,com.

This is a typical french programme on television, show was very good learn more here it needs to be a rainy day not when too sunny Better side balcony seats then front balcony seats if too far you don't see very well but you hear well accoustic is very good Would suggest online casino ipad Casino de Paris owners do invest in airco or ventilators as it is really NOT bearable for 2 hours in this heat!!!

This experience is not pushing me to book anything there at a later stage except if they make efforts to change the conditions in this room. Own or manage this property? Claim your listing for free to respond to reviews, update your profile and much more.

All of your saved places can be found here in My Trips. Review of Casino De Paris. Reviewed January 11, theatre casino de paris See what travelers are saying: Reviewed December 13, A wonderful and charming musical venue. Reviewed October 26, Ask irinalapin about Casino De Paris. Reviewed June 15, Ask valouveuh about Casino De Paris. Reviewed yesterday via mobile.

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The Casino de Paris, located at 16, rue de Clichy, In it became the Palace Theatre, which housed shows of different types, including wrestling.

Eric Lindsay and Ray Jackson. We had been looking around for premises for about 6 months. Originally we thought of opening a night club with a complete drag show. We approached Danny La Rue, who was then working at Churchills Night Club with Ted Gatty, and he gathered a theatre casino de paris of drag artistes theatre casino de paris that he had worked with in the shows that used to tour the variety theatres in the 50s.

We talked with them and told them that Ray and I were thinking of opening a sophisticated night club along the lines of the Carrousel Club in the Rue de Colisee in Paris. We had seen a night club in Lower James Street, funnily enough also called the Carrousel, which had a great atmosphere and for a long time we contemplated buying it.

Fortunately for us, the original owner, who was a friend of ours and who had built it and ran it for many years, talked us out of it because he told us that the place was a white elephant. A lot has article source written about him, mostly bad, check this out I can only say that to Ray and myself he was a good friend and adviser and we had many happy times and dinners with him and his lovely wife Nan.

During this period a new Licensing Law had been passed which allowed theatrical performances in private members clubs for nudes to move, which meant that striptease theatre casino de paris become legal.

Previously all nudes had to be static in artistic poses a la the Windmill Theatre. The Windmill had had the complete monopoly of that genre of show business for years and the queues of gentlemen outside the theatre each day proved it. Daily we used to see gentlemen in raincoats waiting in line to get into the Windmill Theatre.

So with the new laws the market was wide open. Already a few clubs had got on the bandwagon and were doing excellent business. My Aunt, who ran a nembers social club in Brighton, told me of a social club at Denman Street that was up for sale. It was the adjoining street to the Windmill Theatre. So Ray and I made an appointment theatre casino de paris look over the place. We went along late one afternoon and climbed the wide staircase to the first floor.

Above the first floor it turned out was a shoulder pad factory and above that an office suppliers. There were sliding gates in front of the double doors to the social club so we rang the doorbell to let whoever was there know that we had arrived and open the gates.

A very tall, grim looking man stood behind the gates who looked like Lurch from the Adams Family. He frightened the shit out of me! Anyway we told him who we were and he unlocked the gates and we went in, into theatre casino de paris was an enormous room with loads of card tables. It looked like a speak easy from the 20s, and what with Lurch it made it even more authentic.

The room had an enormous mahogany fireplace in the centre of the summerlin rock in casino red wall, but the size of the place made it ideal to convert into a small intimate theatre. When I say theatre, we meant a real theatre run on the strict lines of a legitimate theatre with all the calls, half hour, quarter, five minutes and overture beginners please.

Theatre casino de paris called for his other two brothers and they introduced themselves as Elliott, who was the youngest at about 50 years old and also the spokesman for the three, and Johnny, the eldest, and Lurch, whose real name was Mark.

These were the Gold brothers. To me and Ray they were more like the Marx Brothers. They were still running the place as a social club with Johnny cooking food in the kitchen, Elliott running the club and Lurch frightening everyone on the door. In the evenings they turned the roulette online jatekok into a jazz club where Johnny Dankworth and George Melly used to occasionally play and sing; apart from the other Jazz Musicians who used to play.

But really they were not theatre casino de paris any real business. We got Peter Mullins the Art Director to design the theatre. I managed to buy theatre seats from the Q Theatre at Kew Bridge, which was just theatre casino de paris to close. Doing business with Beatie de Leon who ran Q was some ordeal, as she was known to be a very tough lady and she was. When the builders http://frzzjordnnchaussures.info/case-in-affitto-formentera.php about to remove the fireplace we had a major drama with Johnny who said it had to stay as it had been there for over 50 years.

I thought it must have been a family heirloom. So I asked him how many theatres he knew that had a fireplace in the middle of the room? Finally the theatre casino de paris went. Http://frzzjordnnchaussures.info/casino-aschaffenburg-programm-3d.php there were a few tears and unhappy faces.

We built two dressing rooms for the girls and one for the boys, which was in the kitchen at the back of the theatre. The bar, which could hold about 20 people was at the theatre casino de paris back of the theatre it had arched corinthian pillars around the whole bar similar to those on the walls, so you could watch the show whilst you had a drink.

The theatre could seat about 70 people in total. Whilst the theatre casino de paris and building was in progress, it took a period of just over 3 months, Ray and I went to every variety theatre that was in the London area and saw every nude show that was to be seen.

We also visited the Irving Theatre Theatre casino de paris and the Panama and Gargoyle Clubs, which were already open with their nude shows. I have to say that we were not impressed. Theatre casino de paris shows were tatty and crude; there was no class or taste shown. We knew with our own experience in the legitimate theatre we could do better.

The girls looked as theatre casino de paris they had just come in off the street. Their makeup was nonexistent and the costumes were appalling.

The comics, if there was one in the show, did not seem to have any respect for the girls. In fact all the shows were bad. We would bring the customers up to our level and not go down to theirs, as we proved, and they appreciated it. We would give them good entertainment in luxurious surroundings. Our girls would look elegant and classy. Our girls would not look as though they had just come in off the street. Our girls would look glamorous and beautiful, and they were. During this period we really got to know our partners Elliott and Johnny.

Their name was Gold and they had hearts of gold. They were both the kindest and most honest pair that one could ever wish to do business with. Johnny was caring and like a broody mother hen.

He was theatre casino de paris concerned that everybody was happy and had plenty of tea. His only problem was that he would worry about everything, you name it, theatre casino de paris he would worry about it.

Elliott it turned out was a professional gambler, who would spend hours on the phone betting. The whole time we had the Casino de Paris I could never understand what a monkey or a pony or a Yankee was, it was all double Dutch to me. Gambling did not interest either Ray or casino jacksonville florida. He was completely honest and trustworthy. Being a gambler, he theatre casino de paris very superstitious.

Elliott taught us all the finer points of life, food and wine, where to shop for the best clothes and shoes etc. He was a kind of mentor to us for the finer things in life.

He had a wife who was an invalid and lived in Brighton, koehler casino that did not stop his womanizing and having a lineup of some of the most glamorous and chic ladies I have ever seen. He was charm personified, a real ladies man. We engaged a pianist called Alan Leigh who had a beautiful singing voice and also a drummer called Leslie. We found a girl who had been working at the Windmill Theatre, so she knew the score.

We chose all the numbers and told her what we wanted. Theatre casino de paris did know what was good and what was bad and what was in good taste. We had realized earlier on that we would have to run our own censorship after seeing the way some of the other clubs were performing. From Strand Lighting we installed the smallest lighting board that they made with 4 dimmers, as the backstage area was very limited.

Later on I think we added one more dimmer to the side of the board, altogether I think we had about 15 spotlights to cover the whole stage area. Remember, we were novices at all these things. Ray and I were learning at the same time as we were rehearsing how to properly run a theatre.

One of our customers from Heaven and Hell told us he was a Stage Manager in variety shows, so we engaged him. He turned out to be useless and just lasted 3 months. We decided that we would do 4 shows a day from 2: It was a little like a factory, but it allowed us an hour till 11p. We placed an advertisement in the Stage newspaper for girls and held auditions for nude dancers theatre casino de paris showgirls. We also placed another ad for boy dancers and also for another Assistant Stage Manager.

We were lucky because there were many girl dancers who unfortunately were not tall enough to be in a chorus line like the Tiller Girls, but they were trained and disciplined.

Two of the boys from the drag shows we engaged to work as young ladies in the show. They were Tommy Osborne who had the most beautiful soprano voice and Dougie Currie who looked like Marilyn Monroe when he was in drag, but the main thing was that he could also make costumes, which was much more important than his talent. In Drag they both looked great online casinos deposit bonuses passed as girls with the customers.

So there in the dressing room every day whilst we were rehearsing Dougie sat and made costumes, except for when he had to go on stage to rehearse, but he was a dreamer and very, very slow click at this page making costumes.

It would take him forever to sew on a sequin. In fact I would stay up with him all night trying to get him to finish a set. I would spend the night making black coffee and supplying him just click for source pep pills. By the time we opened we already had over members, so the 2: In fact they stayed for the second show and one guy even sat through the whole four shows.

Not good for business, but it proved we were on the right track. I think they left in shock.


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